A surreal collage featuring a woman with a large butterfly on her back sitting in water among pink water lilies, surrounded by lush green leaves. Various creatures such as owls, butterflies, birds, a fish, and a bird with a human face are present. Th
French Quarter Morning by Dean Mitchell captures that fleeting, in-between hour when the city is just beginning to stir. Light moves softly across the architecture, catching edges and casting long, quiet shadows that do most of the storytelling. Mitc
Sands of Time by Rodrigo Franzão reads like a meditation on impermanence—quiet, but not passive. The composition leans into movement and erosion, where form feels as though it’s in the process of becoming something else, or dissolving back into memor
Black and white line drawing of a still life scene with a vase of flowers, two birds, a slice of melon, and some fruit on a table.
Nike by Dominica Fisher steps away from the literal and into the symbolic, using the classical reference as a point of departure rather than a destination. The figure—suggested more than defined—feels suspended between states, as if emerging from or
Coastal Marsh by Rolland Golden reflects a deep familiarity with place—observed, studied, and distilled over time. The composition is structured but unforced, with land, water, and sky settling into a quiet balance. Golden’s line work anchors the sc
Colorful abstract mural with a central figure of a white-faced person with closed eyes and flowing hair adorned with text and symbols, surrounded by various shapes, faces, and words.
Morning Walk by Craig Crawford leans into the quiet clarity of early light, where form is simplified and color does the work. Crawford pares the scene down to its essentials—broad shapes, clean edges, and a restrained palette that feels both delibera